Gustavo Díaz-Jerez — Imaginary continuum (Metaludios, Book I). [6K]
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The composer at the piano.
Imaginary continuum extracts its musical material from a numerical sequence related to the imaginary constant, i (√-1), hence its name. It is an example of mapping (or musical bijection), through which the numerical information is projected onto a one-to-one correspondence to musical parameters chosen a priori.
Recorded at Auditorio de Tenerife (Chamber Music Hall)
© Auditorio de Tenerife
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